Previously, we saw the importance of ``being specific'' in our interactions. I have even made that idea into a simple exercise (Link: http://donotsaybenotdo.blogspot.com/2011/10/practice-being-specific.html). Next, I provide some quotes on the issue of ``justifications''. This concept is still new to me and I am trying to digest it :) Again, from ``The Actor's Art and Craft,'' by William Esper and Damon DiMarco.
I want you to think about something. ... Consider how important justifications are to your craft. It's only when the actor asks the question 'Why?' that he becomes truly creative.
Every good actor must be intimately acquainted with the specific reasons that would motivate him or her into a specific action. Keep in mind that reasons are personal and differ drastically from one person to the next. ... ---p.97
You will never be able to tap the deepest wells of your individual talent until you really explore your own personal justifications. You must ask yourself: What excites me? What repulses me? What would make me kill? What would cause me to walk barefoot over a field of cut glass from here to San Francisco? What would I give up everything for? What would make me jump off a bridge? This is the work of actor. This is the work of artist.
I say that all art is based upon this type of speculation. Michelangelo once speculated, How would I go about releasing the magnificent form of David from this block of stone. ...
The sheer power of speculation! Remember, for an artist it's never a question of `what if' that matters. It's always a question of what might be that stimulates the actor's imagination. Life will never be as wonderful or as terrible as you can imagine it to be. Ernest Hemingway once said that imagination `is the one thing besides honesty that a good writer must have. The more he learns from experience, the more truly he can imagine. If he gets so he can imagine truly enough, people will think the things he relates all really happened.' The same could be said for actors. ---p.98